Crossing the Neuse | Bridgeton, North Carolina
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Each and every photographer has a list of shots that the dream of. This ‘Photographer’s Bucket List’ is something that helps keep us going, striving for that shot that we have planned in our head time and time again. Most, if not all, of these dream photos can only happen by being incredibly patient or just being in the right place at the right time. If they could be planned, then they wouldn’t be so special, would they?
I have two sets of Bucket List Shots. The first one contains shots of and at places that will probably not be places that I spend much time at in my life. Fog on the green mountains of New Zealand, the blue interior of a glacial cavern or a foggy sunrise at the Golden Gate Bridge…places I fully plan on shooting eventually, but not places where I anticipate I will frequent. Set two are local shots. It’s a shorter list, but easier to achieve. All I have to do is be in the spot when conditions are right.
The above image was on that list. For those of you not familiar with the New Bern, NC area, at its mouth, the Neuse River is the widest river in the United States. Just a few miles upstream, in New Bern, it is still plenty wide. There is a very long span of railroad bridge that passes just a few feet above the water’s surface. I have long wanted to shoot a train passing over, just after sunset, so that I could capture the clouds and color of the sky, the light on the engine and the reflections of it all on the calm water.
I have been to this spot numerous times in hopes of achieving my shot. I have seen trains pass, I have seen the sun set. But never at the same time. On this particular night, I set out to shoot some pretty astounding storm clouds that were passing just west of New Bern. I figured my best bet was to shoot them from the other side of the river, and capture the sun setting over downtown. Soon after the sun set, I was packing my gear up when I saw the light of a train slowy moving across the far corner of New Bern. When I saw it make its turn toward the river, I hopped in my Jeep and sped to this little spot along the tracks for my shot.
The train was coming toward me so slowly. It just seemed to be creeping along. But, as it reached the point on the tracks where I wanted to start shooting, it seemed to just blow right by. I was able to get two shots, this one and one of it closer with a lot of motion (which I like more).
In the end, sometimes the best way to plan one of your bucket list shots is to not plan at all—just hope for some good luck and timing!
The shot: Nikon D90, 18-105mm Nikkor VR lens @18mm. 3 exposures, bracketed. Tonemapped in Photomatix and then masked together with original frames in Photoshop. The water is from the middle exposure, the sky from the darkest exposure (lightened with the middle exposure) and the bridge was from the tonemapped file. Finished with a touch of contrast and glamour glow using Nik Color Efex Pro.
Marina Sunset | New Bern, NC
All through February, I think we’ve been experiencing the best sunsets of the year here in Eastern NC. This particular night was no exception. The atmospheric conditions made for a bright orange glow to be cast across the sky as the sun dropped to the horizon behind the boats of the New Bern Grande Marina. There were just enough clouds in the sky to catch the reflection of the sun on their undersides and make a beautiful scene.
The shot: Nikon D90, Nikkor 18-105 VR lens. f/22, 1/2 second exposure, ISO-200.
Waves in the Sand | Fort Macon, North Carolina
It’s a very foggy morning here in Eastern NC, so I thought I’d bring some clearer skies to your monitors today. This scene was shot at the end of last week at Fort Macon, NC. From late afternoon all the way through sunset; I don’t think that I’ve had the privilege to shoot in more perfect light.
This was shot with what is currently my favorite and most useful landscape lens in my bag- the 8mm Rokinon ‘fisheye.’ It’s classified as a fisheye, and rightfully so at 8mm, but there’s nothing fishy about it. At the right angle, there is little to no distortion on the edges and it is sharp as a tack. I shoot everything with it at f/16 and up and it produces the sharpest landscapes I’ve made. And at around $300, it’s an absolute steal! Keep in mind, it’s 100% manual, but it’s fun and liberating to not be tempted to fall back into what the camera thinks is best.
The shot: Nikon D90, Rokinon 8mm lens, tripod held and remote fired. f/16, 1/200 sec., ISO-200. 2 exposures, manually masked in Photoshop. No color correction.
©2012 Zach Frailey
1/19 Sunset (Behind The Scenes) | Emerald Isle, North Carolina
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On Thursday (1/19) I headed over to Emerald Isle to visit with my friend and fellow photographer Brad Styron. We had some business to discuss, but more importantly, there were photos to take! We left his studio and hopped in his FJ and a minute or two later were driving down the beach. I’ve never driven over-sand, although I’ve always wanted to get the permits for my Jeep, and it was way cool! A little ways down the beach, we came to a spot where the beach erosion created ‘cliffs’ that were close to six feet high in places. This is where we set up to shoot.
In this image you can see the set up. Brad’s FJ is parked above the surf on the sand. You can see his second camera body set up in the foreground. He filmed video the entire time and came away with an amazing time-lapse video of the sunset! You can see Brad himself is shooting up against the cliff beyond the camera.
You will no doubt be seeing several more images from this sunset (one of THE BEST sunsets I’ve ever shot) in the coming days and weeks!
The Shot: Nikon D90, Rokinon 8mm fisheye lens. 2 exposures, manually blended in Photoshop.
©2012 Zach Frailey, please do not use without permission
Sunset in Paradise | Beaufort, North Carolina
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This was shot a little over a month ago when my family was visiting here in Eastern NC. We headed over to Beaufort to walk around the waterfront, visit the many shops and eat dinner. This unseasonably warm afternoon and evening gave way to this truly awe inspiring sunset over the Beaufort Inlet.
The Shot: Nikon D90, 18-105 Nikkor lens, handheld. 3 exposures, tonemapped in Photomatix. Tonemapped file masked back with the three original exposures in Photoshop.
©2011 Zach Frailey, please do not use without permission






